Tuesday 5 January 2010

A Year of Favourites

When looking back at a year's worth of movie-watching, I prefer to take a leisurely walk through all the films I saw - not just the ones released in the calendar year. I actually do have a Top 10 for this year, but I'll start instead with my list of favourite non-2009 films I saw for the first time since January '09.

Favourite First Time Viewings of Older Films in 2009

  • Danger: Diabolik - Might have been one of my favourite Bava films except for a callousness by the lead character that didn't jibe with the silliness and candy colours of the rest of the film. But I can forgive it that - this looks amazing and I desperately want his hidden lair.

  • I'm A Cyborg But I'm OK - Chan-wook Park's first film after his Vengeance trilogy got a lot of pummeling by critics when first released. I thought it was sweet and handled it's mix of fantasy and reality in wonderful ways.

  • A Matter Of Life And Death - A beautiful magical film by The Archers, but what isn't?

  • Daisies - Who knew that an experimental film from the New Wave of Czech cinema of the 60s could make me laugh out loud for a full minute during its opening scene and then keep me engaged throughout the rest of its seemingly random events and even more random colour schemes. But it did.

  • Role Models - Paul Rudd just simply makes me laugh. Especially when he's involved with silly comedies that are also quite smart. The female characters were somewhat short changed here (whereas "I Love You Man" provided fuller more interesting females), but there's still a good deal of heart amongst all the funny.

  • Women On The Verge Of A Nervous Breakdown - Immediately became my favourite Almodovar and set me off on a bit of a mini-festival of his films. I found other favourites like ""The Flower Of My Secret" and "Volver", but nothing quite as funny and different as this one.

  • Timecrimes - I love time travel films. And this is a good one.

  • The Demon - Harrowing in many ways, this late 70s Japanese film is not explicitly violent, but contains scenes that I just can't imagine any North American film ever including. My review at J-Film Pow-Wow.

  • Detective Bureau 2-3: Go To Hell Bastards! / 3 Seconds Before Explosion - The two best film titles ever. Both released at the same time by Kino, each is pure fun and almost non-stop action (cheesy or otherwise). My reviews at J-Film Pow-Wow: here and here.

  • Portrait Of Hell - There's some terrific imagery throughout the entire film - ghostly presences, fiery hellish scenes and really effective use of lighting. While society crumbles around him and poverty overcomes most everyone else, a Japanese Lord refuses to see it and asks a painter to create a portrait of paradise. My review at J-Film Pow-Wow.

  • The Space Amoeba - If you can't have fun with this movie than you need to take stock of your life. My review at J-Film Pow-Wow.

  • Take Aim At The Police Van - My favourite from the most excellent Nikkatsu Noir set released by the Eclipse line. Yes, I'm biased by the fact it's by Seijun Suzuki, but there's a reason he's one of those "I'll watch anything he's ever done" directors. My review at J-Film Pow-Wow.

  • Pusher II / Pusher III - I had previously seen and enjoyed "Pusher" and finally got around to its 2 sequels. The first film was a bad week in the life of a pusher, but the second and third amp up the tension and the litany of strange and horrifying events that occur to their lead characters (each film follows a different person that was introduced in the original).

  • House (Hausu) - Possibly my favourite film experience of the year (maybe longer). Though I now own a copy of this incredibly over-the-top ball of weird and wonderful, I'll wait until a true pristine and proper release comes out before giving it a full post of its own. If you think I've had image heavy posts in the past, just wait until Criterion releases this puppy later this year.

  • Scream Blacula Scream - "Blacula" is a fine entry in the blaxploitation canon, but its follow-up bumps up the camp a bit, notches up the clever filmmaking and gets William Marshall to give it all he has. Supreme fun.

  • Frightmare - One of those "where did this come from" films that surprised me during my Horror marathon through October. I'd had this Peter Walker film on my to-see list for some time, but had forgotten why I had placed it there in the first place. I loved its mix of camp and creepiness and it didn't cop out to any easy resolution. In fact the true horror doesn't happen until the final decision at the end.

  • The Woman In Black - If only for that one scene...

  • Triple Lion Dance - My first experience with Kabuki Theatre. Gorgeous. Reviewed here.

  • The Thief - A pretty solid Noir that stumbled across my path and hooked me with its little gimmick of having no dialog. This limitation of no spoken words likely helped the filmmakers end up with a fast moving and lean thriller – there’s few wasted scenes and a good solid build up of tension which made a pretty basic story all the more compelling.

  • Dear Zachary - Like most people, I've cried during a film before. Whether it's something that tweaks a personal memory, something that goes after my "parent triggers" or simply because the on-screen emotions are amplified by music, I will occasionally shed a tear or get a big old lump in the throat. But I've never openly wept. Until now. This is a highly manipulative documentary, but days later I still couldn't really talk to anyone about the film for fear of choking up all over again. I'm not sure that's what I would call a recommendation, but there you have it.

  • Kuroneko - Stunning. Incredible use of black and white photography. My review at J-Film Pow-Wow.

  • Camera Buff - My first Kieslowski outside of his famous ones ("Three Colours" trilogy, "Decalogue" and "Double Life of Veronique") and it'll certainly not be the last. It chronicles one young man's fascination and obsession with filmmaking and though his documentaries are accurate slices of life, they may not be showing exactly what the powers that be would like. But it's more complicated than that...

  • Urgh! A Music War - OK, this wasn't a first time viewing as I had seen it theatrically back in the early 80s, but I thought perhaps it may be lost to the absurdities of music rights and licensing. However, Warners saw fit to release it through their Archives series and I can't thank them enough. It was buckets of fun to revisit the music and the performances from this rag tag assembly of artists (the live footage is taken from a couple of larger festivals). Not to mention Gary Numan's little car.

Favourite Performances of 2009

  • Female: Vera Farmiga (Up In The Air); Doo Na Bae (Air Doll); Kara Hui (At The End Of Daybreak)

  • Male: Michael Jai White (Black Dynamite); Brendan Gleeson & Jim Broadbent (Perrier's Bounty); Peter Capaldi (In The Loop)

  • On-screen Couple: Lina (Helena Yaralova) and Yigal (Dror Keren) from Five Hours From Paris - you know you like the characters when you really hope that the film ends up as an unrealistic feel-good they-get-together-in-the-end story. Honourable mention to Verona and Burt (Maya Rudolph and John Krasinski) from Away We Go.

Favourite Films of 2009

  • 10. The Loved Ones (review)
    This little Aussie horror is not afraid to show familiar scenes in different ways – in fact, it embraces the chance to do so via its choices of framing, editing and pacing. It takes its time, uses long takes and builds up its head of steam through story and character. The dysfunctional relationship at the heart of the main story keeps the viewer always a bit off balance and usually laughing while they attempt to right themselves. Surprises, gore, plenty of humour and plenty of uncomfortable wincing.

  • 9. Fantastic Mr. Fox
    I love Wes Anderson’s style so I’m absolutely biased up front. If he seems to bring similar framing tactics, long tracking shots, whip pans and rat-a-tat dialog to everything he does, that’s OK by me because it seems to work every single damn time. Even when the whole film is done with stop motion animation. I can’t wait to see this one again.

  • 8 . Adventureland
    The characters in Greg Mottola’s "Adventureland" feel like real people. They aren’t completely innocent or completely evil – they do stupid things, react in ways they regret later and all have a great deal of warmth along with their many flaws. That’s kind of comforting and why I loved spending time with them.

  • 7. Love At The Twilight Motel (review)
    Alison Rose’s "Love At The Twilight Motel" was initially pitched as being about the 20 motels located on 8th street in Miami that set their rates based on hourly occupancy. One can easily envision a rogue’s gallery of characters and bizarre situations to be found at these motels that might provide a glimpse into the vast depravity of humankind. Instead, we get seven very intimate stories from seven different patrons of these establishments – all of whom are missing something in their lives. If perhaps they don’t realistically believe they will find love at the motel, every single one of their stories touches on lost loves, hopes for love and love betrayed. It’s beautifully shot, very moving and seriously deserves much wider distribution.

  • 6. Micmacs (review)
    Jean-Pierre Jeunet knows how to please his fan base. His latest (whose full title is actually "Micmacs a tire-larigot") is chock full of his patented set design, quirky characters and Rube Goldberg type apparatus along with, from start to finish, more inventiveness and creativity than many directors manage in their entire careers. Jeunet isn’t bringing a whole lot brand new to the table, but it’s superbly entertaining, constantly surprising and left me grinning ear to ear.

  • 5. Soul Kitchen (review)
    Family. Food. Music. Sex. Depending on the person, each can be thought of as a kind of “food for the soul”. They all make up significant parts of Fatih Akin’s latest film which focuses on many of the joys of life. It’s filled with great characters, contains numerous zigs and zags on the path from A to the inevitable B and celebrates the nourishment that body and mind require.

  • 4. L’Enfer D’Henri-Georges Clouzot (review)
    You have to see your madness through“. By the time famed director Henri-Georges Clouzot actually utters this philosophy regarding how artists should approach their work, this documentary look at his failed dream project has already given you a taste of how much he himself believed it. By pulling together footage shot before the project was abandoned (a mix of outdoor shots and test footage for the delusional dream sequences), the film brings you right to the brink of Clouzot’s own madness.

  • 3. Best Worst Movie (review)
    I love bad movies as much as the next person, but I don’t quite revel in them. I had feared that "Best Worst Movie" would focus on the fans of "Troll 2" (widely considered one of the worst films ever made and the subject of this doc) – those who can only laugh AT movies and those who have an ironic “isn’t this great” viewpoint. Many of the fans of "Troll" 2 do indeed show up in the film, but there’s an honest genuine love for “their” movie that they want to share with everyone. It becomes apparent very quickly that "Best Worst Movie" is about the people behind it – an affectionate, sweet, sometimes sad and often times hysterically funny look at a group of people who had such great intentions…and failed miserably.

  • 2. Up
    Pixar sure makes it easy to include their films in end of the year lists – gorgeous graphics, high-energy action, lots of good humour and subtlety in both character and emotion. A smile rarely leaves my face during one of their films and I have to think that’s worth some pretty high praise. "Up" is yet another example. They still haven’t failed me.

  • 1. Black Dynamite (review)
    Easily the most fun I’ve had at the theatre in years. Partially, no doubt, due to the wonderful Toronto After Dark audience who ate it up, but the credit of course goes to director/co-writer Scott Sanders and star/co-writer Michael Jai White. Their homage/spoof of 70’s blaxploitation films finds the perfect balance between poking fun at the genre while also paying respectful tribute to it. These are guys who know and love these films and this translates into tears-streaming down your face laughter and a wealth of fun action.

Honorable mentions: Castaway On The Moon, Ashes Of American Flags, Iron Maiden: Flight 666, Grace, I Love You Man, Air Doll, The Headless Woman, Black, Perrier’s Bounty, Inglourious Basterds, The Misfortunates, Five Hours From Paris, (500) Days Of Summer, The Cove, Away We Go, Funny People, Star Trek, The Box.


To close off the year, a quick look at how I ended up doing on my movie related resolutions from an early post last year:

  • 1. See more films in the theatre - If you include all the festival screenings I attended (TIFF, After Dark, Hot Docs, Shinsedai & Reel Asian), I did great! If you don't, I ended up where I was last year - about 1 a month. I need to rectify this! Particularly since my entire top 10 were theatrical showings.

  • 2. See more films from certain directors: Claude Chabrol, Aki Kaurismaki, Michelangelo Antonioni, Satyajit Ray, Peter Greenaway, Nicholas Ray, Eric Rohmer, Claire Denis - I caught 3 Chabrols (each better than the one before - and now "Le Boucher" just arrived and I'm eager to see it), 2 by Denis (I've got a ways to go before I fully understand what she's doing, but I'm still curious...) and 1 by Ray. Nowhere near what I had intended, but it was a start.

  • 3. See more Canadian cinema with a particular emphasis on Quebec films - This one got away from me as well...I saw some, but still not as many as I would like. I really need to catch up on older Canadian films and I've finally got a book on Canadian Cinema so I've got my sights set again.

  • 4. See more Classic era comedies from the 30s and 40s - "Talk Of The Town", "Easy Living", "Nothing Sacred", "Desk Set", "Design For Living", "Merton Of The Movies" and some others...Pretty good. I've got "The Merry Widow" on the PVR, so I should try to tackle that soon and continue catching up with the many I still haven't seen.

  • 5. See more of those unwatched DVDs hanging around the house - Yeah right. Everybody talks about this but no one ever does anything about it.

  • 6. See more films with my son - Yep, we managed this one pretty well as we bounced between his choices (usually animated) to silly comedies of the 80s ("Adventures In Babysitting" was a big hit) to a couple of classics (he loved the ending of "A Christmas Carol"). He's just on the cusp of being able to appreciate a wider set of films, so we'll see where he leads us...

  • 7. See more "Microcinema" - Nope. Nothing. Damn shame.

  • 8. See more non-region 1 DVDs - Woo Hoo! Region free player acquired and "You, The Living", "Survive Style 5+", "Kuroneko" and "In The City Of Sylvia" purchased almost immediately. Of course, the first of that list is coming out in R1 this month, but that's OK - I'm just happy more people will finally be able to see it.

  • 9. Don't tell people how many movies you watch - Not a peep from me...

My only new resolution is to not make any further resolutions until I've completed my previous resolutions. So I should be good for awhile...


Matthew Connor said...

Hey, been following your blog for a while without ever saying anything. Just wanted to say hello, and I look forward to hearing your thoughts on Chabrol and Denis, who happen to be my two favorite directors. :]

Marc Saint-Cyr said...

Good call on I'm a Cyborg, But That's OK; I saw it just the other day and really liked it. Like Thirst, it's a minor one for park, but still really good, and totally undeserving of the bashing it has received.

Have fun with those films and filmmakers you want to see more of. Le boucher is quite good, as is Les biches. And for Rohmer, the only two of his I've seen are The Bakery Girl of Monceau and Claire's Knee, both of which I also quite enjoyed.

Shannon the Movie Moxie said...

Amazing Post Bob! I love how you look back at not only the new but older films seen - quite a few there that I will have to add to my list like Time Crimes, I'm a Cyborb But I'm OK, and House. Thrilled to hear you enjoyed Women on the Verge of a Nervous Breakdown - it was my first Almodovar and I think it still stays my favourite.

Your top 10 of 2009 is awesome, I love that it ends with Black Dynamite - can't wait to get that on DVD! It's also great to see more love for In the Loop - that film was freaking amazing.

I'm with you on some of the resolutions - no luck with microcinema here either.. although I did make it through my unseen DVDs and truth be told - not all of them were worth it! C'est la vie! Here's to a great 2009 and an even better 2010!

Shannon the Movie Moxie said...

And I think you can take yourself off the hook on Quebecois film in the theatre - I believe the only one that made it here in the Tdot in 2009 was Polytechnique. So sad that we are only a provincial border away yet we get so few of their films...

Kevin J. Olson said...

Great year-end list, Bob. I look forward to tracking down the Aussie horror flick that is your #10 choice. Also, I'm glad you love , too, I think when I get around to doing my list it actually might be a little higher.

Finally I can't wait to watch The Best Worst Movie...my brother and I love Troll 2, especially with the hilarious RiffTrax by Mike Nelson accompanying it. Really looking forward to that doc, and I'm glad to read it doesn't disappoint for fans of the movie.

Peter Nellhaus said...

Your list had a couple of films I'm unfamiliar with. Could it be that there's some stuff that makes it to Canada but not south of the border?

You're in time to have the R1 version of Bigger than Life coming soon. I will be interested to know what the extras are compared to the BFI R2 version that I have. Among my favorite Ray films are On Dangerous Ground and Bitter Victory.

Among older films, I finally saw City for Conquest a few months ago. That film rocked! I love vintage Warner Brothers movies.

Bob Turnbull said...

Hi Prof Glum! Thanks for stopping by and commenting - it's greatly appreciated. I don't have a great deal to say about either Chabrol or Denis at the moment as I've only seen a handful of their films. Chabrol seems to have a very measured pace to the films I've seen (A Double Tour, An Unfaithful Wife, Les Biches) and I like how it slowly pulls you in. In particular with Les Biches which I thought was pretty damn great.

Denis is still a bit of a mystery...I very much liked 35 Rhums and how it not only took its time with the characters, but never really bothered to explicitly tell the viewer anything about them.

Marc, I've seen half of Rohmer's Six Moral Tales ("My Night At Maud's" is terrific), so I need to try to complete that. He has a few other serials (Four Seasons) that I'd like to start on as well.

Thanks Shannon...I still have a few Almodovars to catch up with - especially his most recent. Black Dynamite can't get here soon enough...

Thanks for the nice comments Kevin. "The Loved Ones" certainly benefited from a Midnight madness audience, so I hope it holds up as a rewatch. I'm betting it will. I think you dropped the title of one of the films from this comment --> "Also, I'm glad you love , too, I think when I get around to doing my list it actually might be a little higher." Not sure which one it was we agree on, but at least we agree!

Best Worst Movie just worked its charms on me. I still haven't see Troll 2 (I should look for the Rifftrax - I love Mike Nelson and MST3K), but I look for ward to seeing the doc again.

Peter, I don't think we get a whole lot in Canada before the states (maybe a few Canadian films). Much of my list came from festival screenings (TIFF, Hot Docs, Toronto After Dark), so some of these may not be released until 2010 (and hopefully will find their way to other people's lists then).

I can't wait for Criterion's "Bigger Than Life". Been wanting to see that for ages. "City For Conquest" is on my list too.

Jake said...

Great list. I can't say that I loved all of Black Dynamite (I think that at some point in the last third it spiraled out of control, though the climactic final battle had me screaming), but there are too many golden lines to quote and, until the WTF-wildness of Bad Lieutenant it was my favorite comedy of the year.

I've been wanting to see some Satyajit Ray films too; I keep hearing conflicting reports about Criterion trying to get a hold of the Apu trilogy but I never hear anything definitive. I need to check out Claire Denis too, as well as Agnes Varda and Assayas' back catalog. At the top of my list now are Tsai Ming-liang and Jia Zhang-ke (happy to see that 24 City is coming out Tuesday, along with You, The Living).

Ryan McNeil said...

Hey Bob - just thought you should know I gave you a mention in a little blog-award thingy on my blog today.

Take a look...


M. Carter @ the Movies said...

Not a fan of "Inglourious Basterds," I take it? If not, I could see that that's something of an acquired taste. Picking Vera Farmiga for top female performance in 2009 shows you have impeccable taste indeed, but I'd argue that Christoph Waltz -- even for those who may have hated "Basterds" -- was a revelation. He immediately made Col. Hans Landa one of my favorite villains, and I am a woman who LOVES her movie villains! Mo'Nique, despite her sorry movie past, won top honors for me simply because she took my head off with her work in "Precious."

Bob Turnbull said...

Hi Jake...Yes, I do actually agree a bit on the ending of "Black Dynamite" - it loses a bit of steam by getting too silly - but it had built up so much good will, it just didn't affect my feelins towards it. Still haven't seen "Bad Lieutenant" (and I love Herzog), but I will hopefully rectify in the next few weeks...

I would dearly love Criterion to release the Apu Trilogy - it came out in R1 a few years ago I believe, but I heard the transfers were actually quite bad, so I've avoided it. I may have to just splurge and get whatever is in R2 (and therefore ensure it does indeed come out in R1 for everyone else...exactly what happened with "You, The Living" by the way...). I need to catch up with Tsai Ming-liang and Jia Zhang-ke as well (only seen 1 from the former and 2 from the latter).

Thanks for the mention Hatter. Terribly kind of you. Comments to follow on your blog...

M. Carter, thanks for dropping by! In fact, I do very much like "Inglorious Basterds" - it's in my honourable mentions at the end of the post and just missed my Top 20. It might even go up because as I've started reading more reviews of it after having seen it, I began to really want to see it again (a good sign) and so I bought it. What held it back? Hmmm, the easy answer is Eli Roth - his emergence from the tunnel was ruined for me when he started grimacing and yelling which I thought totally ruined the character. But I can't blame him completely...Little things here or there I guess. The opening scene was great, but I think it had been hyped a bit too much - I knew where it was going to end up (how could you not), so some of th etension was removed. But yeah, Waltz was great. Probably moreso as the film went on.

And Farmiga totally won me over in "Up In The Air".


I think part of my disappointment in the film is that they ruined her character for me somewhat towards the end - and I didn't want them to. I think there might have been other ways of her rejecting Clooney (which I was fine with) then to have her be a lying cheating wife.

end spoiler

Maybe I was just smitten...

Kimberly Lindbergs said...

I enjoyed reading your end of the year round-up, Bob even if we don't totally agree on everything (Diabolik is perfect as it is, damnit!).

You've made me really curious to see some films I haven't seen yet such as I'm A Cyborg But I'm OK (I was one of those few people who liked Thirst) as well as The Loved Ones. Plus I'm dying to see L’Enfer D’Henri-Georges Clouzot which seemed to have spawned a thousand Romy Schneider fans.

p.s. I've nominated you for some silly blogger award: http://cinebeats.blogsome.com/2010/01/10/blogger-awards-2/