Tuesday, 3 January 2012
The Year's Favourites - 2011 in Review (Part 3)
Although I still haven't seen some major players from the typical 2011 "Best Of" lists (A Separation, Carnage, The Descendants, Hugo, Martha Marcy May Marlene, Melancholia, Shame, The Skin I Live In, Take Shelter, Tinker Tailor Soldier Spy, We Need To Talk About Kevin - I hang my head in disgrace...), I still easily found 20 titles (well, actually 23 with a few cheats) to list as my favourites of the year. Since even the honourable mentions that didn't make the top echelons were all solid films that I enjoyed quite a bit, 2011 has had a fine share of quality films for my taste.
I'm often unsure as to whether I should include film festival screenings in my favourites list since they typically won't be available to wider audiences until the following year. Over half of my top 20 are from TIFF, Hot Docs or Toronto After Dark, but I can't help it that these were the films whose flickering on the screen meshed with my own frequency.
1. Cafe De Flore
A technical and stylistic marvel from Jean-Marc Vallee that is also deeply touching, delicate in its character portraits and personally resonates for me clear off the scale. I won't see a better film next year. Full review.
2. I Wish
Several critics labelled this "Kore-eda Lite" and I think every single one of them is off their rocker. This is top notch Kore-eda - profoundly humanistic, gentle, charming and a delight from start to finish. Minor characters have complexities that allow them to linger on in your mind along with numerous bittersweet, life-affirming moments. Full review.
3. Beauty Day
The best documentaries use their subject matter as a springboard to bring you closer to fascinating and interesting people. In Jay Cheel's case, he followed the attempt to launch a 20th anniversary special for an old cable TV show of pre-Jackass stunts, found the man behind Cap'n Video (Ralph Zavadil) and gave us this wonderful, detailed character-based story. Full review.
4. Tree Of Life
I wouldn't know where to begin to describe what I think Malick is trying to do here - I can only state what I get out of this gorgeous film. And that's the ability to not only be transported back to my childhood, but to reflect upon it and get lost in the wonder of those years. A very spiritual film (though not specifically religious).
5. The Raid
I can't wait for this to have a wider North American release then attend a screening to watch as everyone's jaw unhinges and crashes to the ground like one of the many losers of the hundreds of astonishing fights in the film. Then I'll know what I looked like the first time I saw it. Full review.
6. Win Win
I know it probably shouldn't have a bearing on my enjoyment of the film, but I really liked the characters in Thomas McCarthy's latest film. It's not just that they feel like "real" people, but they are people I would want to meet and stay in touch with for the long haul.
7. Wetlands (aka Marecages)
A quite remarkable first feature film from Quebec director Guy Edoin anchored by an incredibly tough performance (my favourite of the year) by Pascale Bussieres.
Last year I started my TIFF marathon with an existential Italian film called The Four Times (Le Quattro Volte). This year, I decided to kick things off with the 4 and a half hour, 3-part, 3 different director-led, German experiment Dreileben. I'm 2 for 2.
9. Attack The Block
Working within the limitations of not only budget, but also the confines of a single apartment complex, Joe Cornish has put together an incredibly fun and surprising action film. The characters aren't overly likable, but they are consistent and you might actually achieve some semblance of an understanding of them by the end.
10. The Muppets
I'm in the Muppets-can-do-no-wrong camp on this one. Critical facilities be damned. Apart from the rap song by Chris Cooper, I smiled the entire length of this movie.
11. The Artist
I'm perfectly happy if The Artist wins Best Picture at The Oscars - it's not my pick, but a film that has put so many people into such a good mood deserves the recognition. I look forward to re-experiencing that.
Built around the filmmaker's own personal story, Beginners managed to tell a pretty universal story of making the most of the life you have. Even if you can't relate directly to the specific lives of these characters, you should be able to appreciate the character arcs and how the story is told with humour, warmth and style.
13. Midnight In Paris
Yes, I wish Woody had spent more time on development of the present time characters (Rachel McAdams "Inez" is so awful that you almost hate Owen Wilson's "Gil" for even talking to her), but as soon as they transport back to the past the film becomes completely charming without wallowing in nostalgia for even a second.
14. The Interrupters
Why does the Academy not like Steve James? He seems like a pleasant sort, cares about people and makes astonishingly great documentaries (count this right up there with both Hoop Dreams and Stevie) that provide windows on larger social issues.
Though Giorgos Lanthimos' films border on quirky-weird for the sake of being quirky-weird, it would be a mistake to not look past that to the central themes and well-constructed stories. I enjoyed Dogtooth, but ALPS was a step up for me as it examines how each of us risk getting lost in the different roles we act out for others.
16. The Guantanamo Trap / Wiebo's War
Or are the best documentaries the ones that make you reconsider a point of view? These two Canadian docs didn't force their opinions down your throat - they just effectively placed information in front of you and made it very difficult to dismiss. The Guantanamo Trap full review. Wiebo's War full review.
17. The Story Of Film: An Odyssey
15 hours just wasn't enough. I wanted more of Mark Cousins providing his unique personal perspective on the history of film and even more new entries to my "must watch" list (along with the hundreds I already got from this film).
18. Super 8
A kid's adventure tale told with energy, excitement and humour and which doesn't overly pander to either the kids or the adults. I could do without the lens flares, but I was supremely entertained and so was my 11 year-old.
I think I've become a Sion Sono fanboy. I totally understand many of the negative comments towards the film and how its incredibly high volume pitch and intensity wore people down, but I'm still fascinated by Sono's approach to filmmaking and here he conveys an emotional plea to his fellow countrymen after the devastating year they went through.
20. Midnight Son / The Innkeepers / Father's Day
Three fantastic "horror" films from this year's Toronto After Dark festival - each approaching the genre in a different manner. Midnight Son (Full review) gave a real-world scenario for a vampire, The Innkeepers brought character-based humour and a smart script to an old-fashioned ghost story and Father's Day (Full review) was essentially the perfect grindhouse exploitation movie. Don't ever tell me there isn't variety within the genre.
The Guard, Samsara, Pearl Jam Twenty, Contagion, Margin Call, Moneyball, Warrior, Sons Of Norway, These Amazing Shadows, The Adjustment Bureau, Bridesmaids, Absentia, The Woman, Monsieur Lazhar, Crazy, Stupid, Love, Tabloid, Our Idiot Brother, Certified Copy, The Adventures Of Tintin