Shoot The Projectionist has the final list of 180 films that received at least 3 votes each from early ballots for the favourite Horror films of all time.
It's a terrific list filled with great films and I'm happy to see that it's longer and more diverse than I expected. I've seen about two thirds of them, so I obviously have some work to do. Most of my initial picks made the final list (27 of 31), so I guess I'm not overly original in my choices. Oh well.
The 4 I chose that didn't make it were:
- "The Abominable Dr. Phibes" (1971) - Not so much a film that scares me, but a hugely entertaining one that I just couldn't leave off the list. Dr. Phibes uses the biblical plagues as reference points for getting revenge on the 9 doctors he holds responsible for his wife's death. Vincent Price rules here and it led me directly to his Edgar Allen Poe films - so that alone is reason enough to put it on my list.
- "Cure" (1997) - Probably regarded less as a horror film and more as a mystery thriller in the vein of Seven (which made the final list), this is a terrifically creepy and disturbing tale of a killer who seems to hypnotize others into committing murders. Along with "Pulse", Kiyoshi Kurosawa's finest film.
- "The Fury" (1978) - My favourite of Brian DePalma's horror films. Young people with strong psychic abilities are kidnapped by the government and are trained to become weapons of war. There's just something about the way the plot flows that engaged me more than his other films.
- "Shallow Ground" (2004) - I'm not sure I've ever seen a forest look this good on film. The rich greens and cool colours make a perfect background for the blood that appears - and there's definitely lots of blood...
And then there's a whole bunch I had bubbling under. I'm still wondering if I should've included some of these instead:
- "Acacia" (2003) - Very well made and disturbing portrait of a family's disintegration after a terrible tragedy involving the young boy they have adopted.
- "Creepshow" (1982) - I just saw this recently and had a blast with it. It's funny, scary, creepy, cheesy and has Ed Harris dancing to disco music - badly. What more can you ask for?
- "Cronos" (1993) - I wasn't actually that fond of this film after seeing it...It's well made for sure, but seemed to suffer some of the same "dryness" as did Del Toro's other horror film "The Devil's Backbone". But as I read some other people's comments about the film recently, it occurred to me that 1) the film really stuck with me, 2) if I didn't like it that much it's because it REALLY CREEPED ME OUT and 3) it's a truly inventive take on the vampire mythology.
- "Dawn Of The Dead" (2004) - Romero's original wins out for me, but not by that much. Yes, the zombies run in this one, but that just makes it a different and at times breathless ride.
- "Don't Look Now" (1973) - Just the opening and closing scenes of this film alone are a pleasure to watch because of the way they are edited and composed. The little girl with the red coat is a lasting image.
- "The Exorcist" (1973) - It's not my favourite but it cannot be denied...
- "Eyes Without A Face" (1959) - Don't tell me black and white films can't chill you to the bone.
- "Frailty" (2001) - I'm still wondering if I should've included Bill Paxton's directorial debut. Paxton himself stars as the father who believes he sees demons and recruits his sons to help him battle them. He turns in a great performance along with creating a sinister feeling throughout the film.
- "From Dusk Till Dawn" (1996) - Since I had heard about the sudden shift in direction this film takes midway through, I was ready for it and it didn't bother me. As a matter of fact, I thought it fit together really well and made for a rather fun gory time.
- "House On Haunted Hill" (1959) - I didn't expect much out of this old William Castle flick, but when that old lady just showed up from the side of the screen I realized that there was more to this than a cheaply made B-thriller.
- "Infection" (2004) - Colour is an important part of the story here in another Asian Horror film that delievered far more than I expected.
- "Near Dark" (1987) - Another superior and original take on the vampire myth. It's not an overly scary trip, but fun filled and exciting.
- "Phantasm" (1979) - I have great memories of watching this late at night with my brother and both of us thinking that flying killer spheres were the coolest thing ever...
- "Prince Of Darkness" (1987) / "In The Mouth Of Madness" (1994) - I'm lumping these two Carpenter films together because I think each of them may have a chance to make my top 31 list if I see them again (I've only seen each of them once).
- "Theater Of Blood" (1973) - Almost as good as The Abominable Dr. Phibes. Replace the doctors with theatre critics and the methods of death to be Shakespearian instead of Biblical.
Here are my final choices from that whittled down list. It's really a mix between those films that truly give me 1) the willies, the shakes and the heebeegeebees and 2) big entertainment value. Not a perfect set of criteria by any stretch. One of my favourite films regardless of genre ("Night Of The Hunter") is on the final voting list, yet I'm not picking it. I love it to death, but it just doesn't feel right for me to put it on this list. The picks are really closer to being based on "What would I really like to watch RIGHT NOW." It's all about gut feel...Disgusting, slimy, stinking guts...
1. Halloween (1978) - The grand daddy of 'em all. I remember seeing this for the first time when I was 13 or 14 at a high school movie night and it scared the entire auditorium. It was also an early touchstone for me to realize that movies could be shot in different and interestng ways. And the scene where Jaimie Lee is hiding in the closet is one of the most tension filled moments ever put on celluloid.
2. Ju-On - The Grudge (2003) - The first time I watched this I realized half way through that I was curled up into a little ball on the couch...Gradually the film works on you using its sound field, subtle effects and disorienting timeline. So far I like all 4 Japanese films and even the two U.S. remakes. The ghostly encounters are becoming less and less consistent, but it's all about the atmosphere.
3. Pulse (2001) - One of the best creepy films ever...Kiyoshi Kurosawa's commentary on human disconnectedness is a dark, relentlessly depressing and hopeless vision of the future. With subtle audio effects (even occasional complete dropouts of sound) and subtleties lurking in the background, he's created an environment I can't shake until days after I've seen the film.
4. The Shining (1980) - Another film that sears its images into your brain. The twins, the waves of blood pouring from the elevator, the old woman in the bathroom, the frozen face of Jack...
5. Deep Red (1975) - I love "Suspiria", but this may be my favourite Dario Argento film. The tension and atmosphere are just excellent and there are some great set pieces.
6. Aliens (1986) - I've never felt so creeped out and tense while walking out of a theatre. I remember the night actually - it was a warm summer evening at a small theatre in Northern Vermont. We were the last ones out, walking across an empty lot to our car, picking up the pace as we went...The last section of that film had me white knuckled.
7. Suspiria (1977) - From that great opening scene in the airport to the last few tense moments in the witches coven, this is gorgeous to look at with perfect suspenseful music. This film just simply works for me.
8. Audition (2000) - I've never winced so much as when I watched that end torture scene for the first time.
9. The Changeling (1980) - One of the best ghost stories around...As several have mentioned, a bouncing ball can be really scary.
10. Kwaidan (1965) - This anthology of 4 Japanese ghost stories must have been a huge influence on the recent J-Horror films. Again, part of the spookiness in these tales is determined by how sound is used to create feelings of unease. It's a beautiful film to look at too.
11. Dawn Of The Dead (1978) - The acting in the film is a sore spot with me, but it's a horrific situation that even has room for satire.
12. Ringu (1998) - If that 30 seconds of the video which dooms its viewer isn't seriously spooky, the rest of the film doesn't work quite as well. Fortunately it is. And the final crawl out of the TV is just terrifying.
13. Scream (1986) - Though it may have spawned an awful lot of imitators who thought they were more clever than they were, "Scream" actually is terribly clever. And funny. And damn scary.
14. Candyman (1992) - I have little tolerance for real belief in supernatural things when there is no evidence to support them - Occam's Razor should apply in these cases. Why believe in something completely fantastical and almost impossible to prove, when a much simpler solution is readily available? Having said all that, I just couldn't bring myself to actually go to a mirror and say "Candyman" 5 times after seeing this film.
15. Black Sabbath (1963) - The third and final story alone, with its gorgeous colours and creepy corpse, is enough to recommend the film. And there's two more.
16. Carnival Of Souls (1962) - Proof positive that limitations in budget don't have to limit your imagination.
17. Session 9 (2001) - An abandoned insane asylum sure sounds like a perfect place to set a horror story, doesn't it? Turns out it is.
18. Ginger Snaps (2000) - On the night of her first period, the elder of two outcast sisters gets bitten by a werewolf. How's that for a metaphor for passage into womanhood? It also hapens to be a very scary movie...
19. Uzumaki (2000) - The denizens of a small village find themselves either fascinated or terrified of spirals (some turn into snails, some kill themselves at the thought of having spirals in their ear canals, etc.) and they all seem to be going crazy. The film nicely ties in its manga roots by including little spirals in subtle ways and in corners of the frame.
20. Peeping Tom (1960) - Director Michael Powell's career was thrown off the rails when he released this tale of a cameraman who is obsessed with people's facial expressions of terror. So fascinated is he by these expressions, he kills people with his camera to capture the moment of pure terror before death (he uses a sharp blade attached to his camera's tripod). Though condemned as morally evil, this is a fantastic movie of one man's inability to deal with reality as he wrestles with the abuses he suffered from his father.
21. Onibaba (1964) - More classic Japanese horror. Slow moving, but it implies such a gruesome existence and contains some images that will instantly lodge in your brain forever.
22. The Birds (1963) - The film is much slower than I remember it when I was younger, but the big scenes still loom large. Especially when Tippi is caught in the room.
23. Invasion Of The Body Snatchers (1956) - Scary more from a conceptual point of view, this 50s sci-fi horror can be taken either as a warning against communists or a damnation of McCarthy. Quite the feat.
24. Cat People (1942) - Simone Simon is gorgeous, the lighting is incredible and I may never swim alone in a pool again.
25. The Vanishing (1988) - It's all about the ending - and what an ending.
26. The Pit And The Pendulum (1961) - My favourite of Roger Corman and Vincent Price's Edgar Allen Poe films.
27. Vampyr (1932) - You absolutely have to love a film that shows the dead body's point of view from the coffin as it's being carried to the graveyard. Early surrealistic telling of the vampire myth by Carl Theodor Dreyer.
28. Repulsion (1965) - Probably the best realization of descent into madness as I've ever seen on film.
29. Kill, Baby, Kill (1966) - Gothic set design doesn't come much better than this.
30. Jeepers Creepers (2001) - The opening half of this film is terribly disturbing as it considers the possibility of a serial killer living out in the middle of nowhere with free reign to gather up his numerous victims...It turns to a more fantastical second half (which is still good), but it doesn't lessen the impact of that first part.
31. The Others (2001) - A great entry into the haunted house genre that sucked me in all the way.